| 2003-7 | |
| Solo Exhibtions and Projects (selection) | |
| 2002 | QUIVID 1 , Buildings Department Administration Building, Munich www.quivid.de (Exh. structure/installation) |
| gallery fiction, KünstlerHaus Bremen, D | |
| Liftarchiv- 1Z, Kreisverwaltunsgreferat München, public art project | |
| 2001 | KünstlerHaus Bremen, D (solo) |
| Lift Archiv, Kreisverwaltungsreferat, City Council, Munich, www.liftarchiv.de | |
| Circus artists under the big top: clueless and other business stories, performance, Whitechapel Art Gallery, London | |
| 2000 | Venice, installation in two shuttle busses during the opening days of Tate Modern, commissioned by |
| South London Gallery, London | |
| 1999 | Creativity versus Commerce, ICA, London, (Performance) |
| Daytrading is the New Rock 'n' Roll, ICA, London, (Performance) | |
| 1998 | Szuper Gallery 30 Underwood Street Gallery, London (solo) (catalogue) |
| Galerie Brighi presente Szuper Gallery, Galerie Szuper, Munich, | |
| Something always follow something else, Kunstpark Forum, Munich, D. | |
| Unique!, Kunstpark Forum, Munich, D | |
| 1996 | Art for Art Sale, Galerie Szuper, Munich, D |
| Radical Chic, Galerie Szuper, Munich, D | |
| Real Cocks, Real Cocks, Open Art, Munich | |
| 1994-96 | 1994-96 exhibitions programs 13 exhibitions in collaborations wioth different artists including: |
| Radikaler Chic, Galerie Szuper, Munich, D | |
| Schwerelose Radikale, Galerie Szuper, Munich, D | |
| Group Exhibitions (selection) | |
| 2003 | Electric Earth , British Council Touring Exhibition, Russian State Museum, St. Petersburg, Russia |
| 2002 | Another Swiss Version, AR/GE KUNST Museum, Bolzano, Italy |
| Chalmers Bequest, (event) Hackney Museum, London | |
| AM ANFANG DER BEWEGUNG STAND EIN SKANDAL, Kunstraum, hosted by, Lenbachhaus München | |
| 2001 | Temporary Accommodation, Whitechapel Art Gallery, London (solo catalogue and group CD-Rom cat.) curated by Andrea Tarsia |
| Tele[visions] – Kunst sieht fern, Kunsthalle, Vienna, A, (curated by Joshua Decter, (catalogue) | |
| Tautologies, Smart Project Space, Amsterdam, NL | |
| The Daniela Johnson Company, Galerie Expo 3000, Berlin, D | |
| What’s Wrong?, Trade Appartment, London, curated by Dave Beech | |
| (un)cut special edition: artists as diplomats, Lux Gallery, London (exhibition and event) | |
| Debutanten, Galerie der Künstler, Munich | |
| Freepulse, 9th Biennial of Moving Images, CCI, Centre for Contemporary Images, Geneva | |
| On The Margin, Plugin Gallery, Winnipeg, Canada, curated by Konstantin Akinsha | |
| Mentalscape, Ausstellungsforum FOE, Munich, D | |
| Mute Loops, Filmwave Magazine, Lux Gallery, London (curated by Cate Elwes & Laura Malacart) | |
| 2000 | Working Title, Stanley Picker Gallery, Kingston upon Thames |
| Russia is still dangerous, Kunstverein Munich, D | |
| Version_2ooo, Centre for Contemporary Images Geneva, CH | |
| Belle Etage, Maximiliansforum, Open Art, Munich | |
| Chamberlain, Clark, Clausen, Stanley Picker Gallery, Kingston/Thames | |
| 1999 | Crash!, ICA, London (catalogue). |
| Dial M…for, Kunstverein Munich, D (catalogue) | |
| Limit Less, Galerie Krinzinger, Vienna, A (curated by Matthew Higgs) | |
| Xmas, Kent Gallery, New York, USA, curated by the Department | |
| First Toronto Video Biennal, Toronto, Canada (curated by Stefan St. Laurent) | |
| Biennal on Media and Architecture, Graz, A | |
| 8th Biennal of the Moving Image, Centre for Contemporary Images Geneva, CH , (curated by Emma Dexter) | |
| Programm Fernsehen, Shedhalle, Zurich, CH. (curated by Justin Hoffmann) | |
| Big Warm Open, Cambridge Darkroom, Cambridge. | |
| Medway Open, Royal Engineers Museum, Chatham (catalogue) | |
| Remote Sensing, Living Art Museum, Reykjavik, Iceland. | |
| 1998 | On the Margins, Mendel Gallery, Saskatoon, Canada (catalogue). (curated by Konstantin Akinsha) |
| Crystal State, Transpenine 98, 3-Month Gallery, Liverpool. | |
| Cornelia Wittman, Takeshi Egi, Szuper Gallery, Kunstkreis, Landshut, | |
| Police, Galerie 03, Würzburg: Pudelclub, Hamburg: Shedhalle, Zurich, (Performance) | |
| 1994-96 | 1994-96 exhibitions programs 13 exhibtions in collaborations wioth different artists including: |
| 1993 | Sarah Staton SupaStore Boutique (with Art in Ruins), Laure Genillard Gallery, London |
| 1993 | Radical Images, (with Art in Ruins), Kunsthalle, Graz, A |
| Curated exhibitions and events | |
| 2002 | 'Am Anfang der Bewegung stand ein Skandal', Kunstraum hosted by Lenbachhaus Munich, exhibition, with Alun Rowlands |
| 2001 | 'artists as diplomats', event, Lux Gallery London with 5 artists |
| 'Russia is still dangerous' screening, Whitechapel Art Gallery, with Alun Rowlands | |
| 2000 | 'working title', Stanley Picker Gallery, Kingston |
| 1997 | 'Something always follows something else', Kunstpark Ost, Munich |
| 'Unique', Kunstpark Ost, Munich | |
| Reviews and Features >>click here for SELECTED ESSAYS | |
| 2002 | Peter Suchin, The movement began with a scandal, FRIEZE, October |
| David Lillington, ‘Tele(visions)’, Art Monthly No 252 | |
| Südtirol Online, Another Swiss Version | |
| Quivid 1, Süddeutsche Zeitung, Januar, 2002 | |
| Regia Portal | |
| 2001 | Adrian Searle, 'The raw and the rubbish', The Guardian, 16/1/2001 |
| Sarah Kent, 'Temporary Accommodation', Time Out, No.1589 | |
| Duncan McLaren, 'Temporary Accommodation’, Independent on Sunday, 20/2/2001 | |
| Richard Reynolds, 'Temporary Accommodation’, Flash Art, March 2001 | |
| Alles szuper oder was?, taz Bremen, Juli 2001 | |
| Cornelius Hafner, ‘Das große und das kleine Krabbeln’, Sueddeutsche Zeitung, 20/9/2001 | |
| Simon Yuill, Hero.ac.uk | |
| 2000 | Andrew Wilson, ‘[working title]’, Art Monthly, no:238, Jul-Aug 2000 |
| Martin Herbert,’ [working title]’, Time Out 13-29 June 2000 | |
| Benedict Seymour, ‘Everything must go’, Mute Magazine, issue 16, London | |
| ‘Sculpture’, insert, everything Magazine no.3.2., London | |
| ‘Without Day’, pocketbooks 04, proposals for the New Scottish Parliament, Edinburgh | |
| ‘Underwood Audio 2’, audio CD, 30 Underwood Street Gallery, London. | |
| Steve Rushton, ‘Always Elsewhere’, everything Magazine, no 3.2, London | |
| 1999 | ‘Szuper Gallery’, insert, Bloc Notes Magazine, no17, Paris |
| Justin Hoffmann, 'Dial M for…', Kunstforum International #147, September- November | |
| Birgit Sonna, 'Dial M for…' Süddeutsche Zeitung | |
| Sally Weale, ‘System C.R.A.S.H.’, The Guardian, London, 6 November. | |
| Martin Herbert, ‘Crash!’, Time Out, London, 8-15 December. | |
| Rose Rouse ‘Where punk art and work collide’ The Times, London, 1 December. | |
| Holm Friebe, ‘Die Kinder von Prada Meinhof’ Tageszeitung, Berlin, Germany. | |
| Tagesanzeiger, Zürich, CH | |
| Sean Dodson, The Guardian, 18.11.1999 | |
| Bergit Arends and Lucy McMemeny, Medway Open 1999, | |
| 1998 | Matthew Higgs, ‘Szuper Gallery’, Art Monthly, London, July – August |
| Sky Glabush, "Whose Margin is this Anyway?," Border Crossings, Canada, Winter 1998. | |
| 1997 | Justin Hoffman, ‘Unique!’, Kunstforum International #137, July 1997 |
| Anne Maier, ‘Unique!’, Kunstbulletin Zurich, Switzerland, April | |
| Brigit Sonna, ‘Der Charme der dunklen Augenringe’ ‘Unique!’, Süddeutsche Zeitung, | |
| Katherina Babenko, Sevodnya, Moscow, September 97 | |
| Szuper Gallery, ‘Szuper Diagramm’, Zweite Hilfe, Journal for Urbanism, May | |
| Justin Hoffman, ‘Radikaler Chic’, Süddeutsche Zeitung, April | |
| 1996 | Szuper Gallery, ‘RAGE’ (CD-ROM), Szuper Editions, Munich. |
| Cornelia Gockel, ‘Persiflagen des Kunstsystems’, Süddeutsche Zeitung, August | |
| Cornelia Gockel, Clausen, Hilt and Kerestej zeigen Larry Clark, Süddeutsche Zeitung, | |